hi there

A collection of short stories translated from Hungarian. I picked this up from the library because I'd seen references to the author writing cosmic horror, which is apparently one way to get me to read a short fiction collection I otherwise know nothing about.

Veres has a direct, unsentimental style that reminds me a bit of Lisa Tuttle, although with less interest in women. Like Tuttle, one gets the impression he doesn't like people all that much. I enjoyed the eastern European perspective, adding extra flavor to ideas I've seen American or British versions of before. Veres also is really good at spooling out the key information, so that apparently unremarkable scenarios get weirder and weirder as we learn more detail.

And indeed, there is some straight up Lovecraftiana in here as well as two different body horror twists on the idyllic rural past, all of which are squarely my kind of thing.

Favorites:
Well, both the Lovecraft ones. "Multiplied by Zero" is a travel report from a man who's gone on a guided tour of a Lovecraftian horrorscape. I enjoyed the contrast between subject matter and tone all the way along, and then it really stuck the landing.

Meanwhile, "Walks Among Us" is an inside view of a Lovecraftian cult, aka exactly my jam, seen from the perspectives of two people raised in the faith and struggling with it and one who's married in. I'm amazed by how deftly Veres weaves all the backstories together with the present day timeline. This is extremely nonlinear and yet I never had any trouble following the action. One could argue the discussion of the cult as a religious minority is not great, given that this minority really is into murder and slavery and all that, but I enjoyed the Watsonian view of the world too much to quibble about the Doylist implications.

The two farming horror ones are honestly quite similar in subject matter, if not theme, to the point of feeling a little repetitive. "Return to the Midnight Soil" has the more interesting and imaginative body horror, but I think the title story "The Black Maybe," about a family from the city doing farming tourism, wins by a hair because it's more horrific, rather than tragic like the first one, and because I cared a lot more about the daughter in it than about either of the boys in the other story.

And "The Time Remaining" is the slashy entry, a story about a man whose life keeps getting worse and the devil whose life's purpose is to convince him to lead the armiese of hell. VERY shippy.

Least favorites:
"To Bite a Dog," about a woman who discovers the psychic power of dominating other creatures by biting them and her boyfriend who can't decide how he feels about it. The most Tuttle-feeling story of the collection because of how damn bleak it is. Also I just don't like animals being upset or in pain. It's rough being a horror fan sometimes.

"Fogtown," an epistolary story composed of an unfinished manuscript about someone else's unfinished book about an incredibly popular underground band that seemingly no one ever actually heard. I love this kind of thing normally, but the nested epistolary layers (complete with editor's notes!) were hard to keep track of, and the underlying story just didn't have any meat to it. I've read this story before with less effort and at least as much reward.

Those were the first two of the collection, so I'm really glad I pushed through to the ones I enjoyed! In fact, I ended up liking the collection enough that I bought his new one rather than waiting for it to show up at the library.

Assorted items:
+ seasonsofdrabbles spring round signups close today!

+ Having posted the fic below, I seem to have gotten all my Oasis feelings out for the moment, or maybe just all my writing feelings. I spent the last couple of weekends going to art museums, and I've also finally found the brain space and desire to read again. It feels really good. I've finished two books in the past week! Amazing!

+ Currently actively reading:
- In the Forests of Serre by Patricia McKillip
- It's Not a Cult by Joey Batey (thanks to troisoiseaux, who passed their copy on to me <3)
- The Beginning Comes After the End by Rebecca Solnit

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I wrote a fic! Not even for an exchange!

doughnut hips (6511 words) by Snickfic
Fandom: Oasis (Band)
Rating: Explicit
Warnings: No Archive Warnings Apply
Relationships: Liam Gallagher/Noel Gallagher
Additional Tags: Chubby Kink, sensory play, Light CBT, Light BDSM, Anal Sex, Porn with Feelings, Oasis Reunion (Band), Sibling Incest, Crying, Weight Gain, Kissing
Summary:

Liam settled his hands on Noel’s hips and then wondered if he shouldn’t, but there weren’t a lot of places for him to touch Noel that weren’t softer than they’d been sixteen years ago.

Noel cleared his throat. “I didn’t think you’d care if—you know. If I put on a few pounds.”

This was supposed to be a quick kink-focused one-shot, but it almost immediately grew a bunch of reunion feelings and became a lot more emotionally dense than I planned, and it ended up taking me about five months to write (across 19 days of writing). It was really satisfying to finish, and I feel like I did all the things I set out to do.

On the theme of "every kink applies to Gallaghercest," this has my first ever CBT and sensory deprivation. I've never had even the faintest inclination to write those before, did not go in planning to write them here, and yet: here they are.

I'm calling this a fill for crackthewip, which makes it the first fic I've finished for that event, despite having run it for three years (and then passed it on to chacusha). Yay.

This fic really filled a niche, apparently, because I got the most feedback on this that I've ever gotten in the first week of posting an Oasis fic (not counting the one last year that I was posting in daily installments). It's so gratifying to write things that people want to read. ;______;

Exit 8 (2026). A man who has just found out his ex-girlfriend is pregnant gets lost in a seemingly infinite subway tunnel.

This is a Japanese movie based on a Japanese video game that was apparently a huge hit a few years ago. It's also the second movie this year based on an essentially non-narrative video game with long stretches of "yup, this sure feels like I'm watching someone play a video game." Like Iron Lung, they really have to work here to stretch their premise to a 90-minute runtime with an actual story. Things get pretty repetitive after a while, since the tunnel acts essentially as a spacial time loop (as elegantly depicted by the movie poster).

That said, I mostly enjoyed the experience, in large part because of the lead actor Kazunari Ninomiya, who is great. I've learned he was a beloved Jpop idol 20+ years ago, and I believe it, because he has loads of charisma while acting basically alone for the first 2/3 of the film. I would absolutely watch him in more things.

The movie is also occasionally really stylish. The opening scenes are IMO the best part of the film from a filmmaking perspective, starting with our guy on a crowded train listening to Bolero to the camera-eye POV first loop through the subway tunnel (as a nod to the game being a walking simulator).

However, I think my favorite part of the movie is the interlude where we see the backstory for the other recurring character in the subway tunnel, a man walking robotically with a briefcase. That's easily the best horror material in the film.

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Forbidden Fruits (2026). Three women named after fruits who work in a mall fashion boutique tentatively welcome a new member into their girl-power coven.

This movie is kind of all over the place. It leans a bit too hard into satire, which loses me sometimes, while also not seeming to have a clear idea what it's trying to say about female relationships. In my opinion Lili Reinhart as the coven leader is one of the weak links, although I've seen a lot of people say the opposite. On the other hand, Victoria Pedretti as the airhead recovering alcoholic stole the show for me. I didn't even recognize her at first because Cherry is so different from the Mike Flanagan characters I've seen her play, but she's hilarious and heartbreaking.

The movie is also very stylish, and the fashion is incredible, like truly impossible to describe, you have to experience it for yourself. Each of the four gets their own consistent look: glam seductress, gothy femme, girl next door, sexy baby.

The movie also, after an hour and fifteen minutes of campy satire, suddenly goes extremely hard. It gets gnarly, you guys. It fucking commits. It must have been a real challenge to market this film, because if you're watching it as a horror movie, it takes over an hour to get there, but if you're not into horror, you are in for a nasty surprise at the end.

Put this on the list of "wasn't quite for me, not mad I saw it, happy it exists." It had style and ambition, and that goes a long way with me. (Typing that out, I realize it has a ton in common with last movie's football horror movie Him, with a lot of the same strengths and weaknesses. So if you were into that, try this.)